CALL OUT

Meek Mill continued his rant about 6ix9ine going live later today, denouncing the recently incarcerated rappers snitching ways.

Trippie Redd's new song "Hello Kitty" earned the rapper a tongue lashing from Playboi Carti's unrelenting disciples.

Though he maintains it's all good, Cam'ron claims he felt used by The Safdie Bros during "Uncut Gems" casting.

Lizzo's video of herself rocking a bathing suit has been restored by TikTok, after the singer called out the app for removing her skin-baring content.

Amanda Bynes shared a message on paparazzi and self worth, where she called out the tabloids for supposedly altering images of her to make her appear larger.

Hilary Duff confronted a paparazzo who was photographing her 7-year-old son Luca and other children on the field at a football game.

Don't disrespect Halsey.

King Los and Tony Hinchcliffe have a debate on the horizon.

Why do people keep forgetting she's 17?

He sees you when you're sleeping.

Conor McGregor has a long list of haters awaiting his return.

Azealia Banks claims he never responded to a request for a collaboration. Vince responds.

Drake didn't take too kindly to Wiley's critique of his London excursion.

The Game throws up his middle fingers after his Tomi Lahren post was taken down.

Meek Mill doesn't want to see 6ix9ine on his timeline anymore.

Juice WRLD has some words for the fans giving him "fake love."

Owens' backtracking might have made a dent in her integrity.

Sauce Walka is looking for smoke.

Katt Williams is heated up.

BlocBoy JB wants his credit.

Ski Mask The Slump God has words for Drake, seemingly over durag use.

"Hip Hop is Dead. Sorry"

The rapper went in on the pop producer and her billionaire boyfriend.

Drea Kelly wants the RnB singer to be held accountable.

The New York native says she'd rather get freaky and take it easy than deal with her album's release

Diddy is the latest public figure to point out France's hypocrisy.

The rapper's emotional display may be justified, given the circumstances.

Moses Sumney provides an alternative view to those who believe in art's necessary separation from its creator.