EDITORIAL

Big Sean unlocks new growth in his latest releases.

“Old Town Road” is gonna ride til’ the remixes can’t no more.

Politics and music have always existed hand-in-hand.

On Tay-K's conviction and dangerous legal precedents.

Rihanna needs to build that empire.

The spirit of Kurt Cobain lives on through hip-hop music.

Youth is wasted on the young.

Between plummeting attendance figures, negative press and the meteoric rise of AEW, we analyze whether WWE are precariously close to losing their iron grip over the wrestling industry.

Will he deliver his fans a new classic album with "Port of Miami 2," or just some lemon pepper wings?

Just a day prior to the release of his "7 EP," we examine Lil Nas X's unique marketing tactics and social media mastery.

As the world awaits "Revenge Of The Dreamers III," we take a deep-dive into which Dreamville artist is yet to get the recognition they deserve.

Phase four is coming.

Rajon Rondo documented the aftereffects of a young Lakers' roster emasculated on the trade block.

In light of MC Ren's claims that rappers need to be aware of their past to qualify as "artists", we take a look at the validity of that statement and see if it holds weight in today's industry.

Bushwick Bill has a penchant for turning his perceived shortcomings into double-edged swords.

With the uncertainty over his future at an all time high, we look at whether there's still time for Kodak Black to get back on track.

Examining what makes Playboi Carti's music and everything else he does, so appealing to the masses.

Will Smith is a likeable, constantly relevant figure in Hollywood. How does he do it?

Amid Megan Thee Stallion's claims of gender inequality, we look at the changing perceptions of women in hip-hop and how to right historical wrongs once and for all.

Determining Kanye's best era of work.

As J. Cole recently faced allegations of stealing artwork, we take a look at hip-hop's history of controversial album covers and how it breeds success.

Fresh from Joyner Lucas wishing death upon him on "Devil's Work," we examine how Death Row's Suge Knight became the most hated villain in hip-hop's collective history.

We take a deep dive into the source of G-Unit's internal conflicts and see why they manifested in the first place.

With "IGOR"'s imminent arrival, we took a look at the musical and lyrical growth of Tyler, The Creator and the shifts in his artistry.

Four years on from its inception, we take a look at whether Friday is truly the best day to drop music or if it's detrimental to everyone but a certain level of artist.

What lies ahead for Nicki Minaj, amidst a management team change and a heavily press-fueled year?

Is this tour an indication that Lil Wayne will be blessing us with another rock-infused album?

“Excuse me, everyone. I have a brief announcement to make: Jesus was Black, Ronald Reagan was the devil, and the government is lying about 9/11. Thank you for your time. And goodnight.”